Johnny Depp : Fear and Loathing in Las Vegas !

"Fear and Loathing in Las Vegas" is a 1998 comedy film adaptation of Hunter S. Thompson's 1971 novel Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream. The film, directed by Terry Gilliam, stars Johnny Depp as Raoul Duke and Benicio del Toro as Dr. Gonzo.

The film opens with a montage of protests regarding the Civil Rights Movement and Vietnam War, before cutting to Raoul Duke (Depp) and Dr. Gonzo (Del Toro) speeding down the desert of Nevada. Duke, under the influence of mescaline, complains of hallucinating a swarm of giant bats, before going through the pair's inventory of psychoactive drugs. Shortly afterward, the duo stop to pick up a young hitchhiker (Tobey Maguire), and explain what they are doing. Duke has been assigned by an unnamed magazine to travel to Las Vegas and cover the Mint 400 motorcycle race. However, they have also decided to take advantage of this trip by purchasing countless drugs, and rent a brand new Chevy Impala convertible. The young man soon becomes terrified of the drug-filled antics of the duo, and flees on foot. Trying to reach Vegas before the hitchhiker can go to the police, Gonzo gives Duke a tab of "Sunshine Acid", then informs him that there is little chance of making it before the drug kicks in.

Tracklist :

1. "Combination of the Two" by Big Brother and the Holding Company
2. "One Toke Over the Line" by Brewer & Shipley
3. "She's a Lady" by Tom Jones
4. "For Your Love" by The Yardbirds
5. "White Rabbit" by Jefferson Airplane
6. "A Drug Score - Part 1 (Acid Spill)" by Tomoyasu Hotei & Ray Cooper
7. "Get Together" by The Youngbloods
8. "Mama Told Me Not to Come" by Three Dog Night
9. "Stuck Inside of Mobile with the Memphis Blues Again" by Bob Dylan
10. "Time Is Tight" by Booker T. & the MG's
11. "Magic Moments" by Perry Como
12. "A Drug Score - Part 2 (Adrenochrome, the Devil's Dance)" by Tomoyasu Hotei & Ray Cooper
13. "Tammy" by Debbie Reynolds
14. "A Drug Score - Part 3 (Flashbacks)" by Tomoyasu Hotei & Ray Cooper
15. "Expecting to Fly" by Buffalo Springfield
16. "Viva Las Vegas" by Dead Kennedys

Download "Fear and Loathing in Las Vegas Soundtrack" (Torrent)

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The Union : The Business Behind Getting High Movie

Ever wonder what British Columbia's most profitable industries are? Logging? Fishing? Tourism? Ever think to include marijuana? If you haven't, think again. No longer a hobby for the stereotypical hippie culture of the ‘60s, BC's illegal marijuana trade industry has evolved into an unstoppable business giant, dubbed by those involved as 'The Union'.

Commanding upwards of $7 billion Canadian annually, The Union’s roots stretch far and wide. With up to 85% of all 'BC Bud' being exported to the United States, the BC marijuana trade has become an international issue with consequences that extend far beyond our borders. When record profits are to be made, who are the players, and when do their motives become questionable?

- Why is marijuana illegal?
- What health risks do we really face?
- Does prohibition work?
- What would happen if we taxed it?
- Medicine, paper, fuel, textiles, food, etc. Are we missing something?

Follow filmmaker Adam Scorgie as he dives head first into Canada's most socially acceptable illegal activity. Along the way, Adam demystifies the underground market and brings to light how such a large industry can function while remaining illegal. By interviewing experts from around the globe, including growers, clippers, police officers, criminologists, economists, medical doctors, politicians and pop culture icons, Scorgie examines the cause and effect nature of the business behind getting high. Nobody's innocent in this exploration of an industry that may be profiting more by being illegal. Join Adam Scorgie as he unravels the mystery of The Union.

Download 'The Union : The Business Of Getting High' Movie (Torrent)

Reference : The Union - The Business Behind Getting High


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Retrospective : The Making of Pink Floyd's The Wall

"Retrospective" is an exclusive 45 minute retrospective documentary of interviews with Roger Waters, Alan Parker, Gerald Scarfe, Peter Biziou, Alan Marshall and James Guthrie about the making of the hugely successful album "The Wall"...

This documentary looks at the conception, design and live shows of The Wall performed by Pink Floyd in 1980 and 1981. It features in-depth 1980s era interviews with Roger Waters, David Gilmour, Richard Wright and Nick Mason and shows footage of The Wall performed at Earl's Court in 1980. It also features archival footage of the Syd Barrett era Pink Floyd and discusses how David Gilmour was brought into the band to initially augment their live shows when Syd became unreliable due to his drug problem and how Gilmour ultimately replaced him. A short retrospective of Pink Floyd post-Syd in included. The documentary also discusses is how Roger Waters' concept of The Wall came about and how Pink Floyd, the band, were on the verge of breaking up while performing The Wall concerts. Included are interviews with Mark Fisher (stage designer), Jonathan Park (stage designer), Gerald Scarfe (animation designer and director) and Bob Geldof and Alan Parker in relation to the making of The Wall Movie.

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Electric Kool Aid LSD 60's Psychedelic Revolution

The onscreen version of Tom Wolfe's literary cult hit 'The Electric Kool-Aid Acid Test' is primed to hit theaters by 2010. When published in 1968, the book shattered cultural perceptions of the peaceful, passive hippie zeitgeist by introducing the Merry Pranksters, author Ken Kesey's roving gonzo army of LSD-fueled pioneers who tripped about the country, mixing it up with rowdy Oregonians, Bay Area hippies, Hollywood rockers, Hell's Angels and a flurry of left-handed characters that launched the psychedelic movement into mainstream America and ushered in the Grateful Dead.

Over the years, footage and audio of the Oregon-based Merry Pranksters have surfaced, but was little more than ragged, disjointed documentation of the group tripping and weirding out. Except for Neal Cassady's endless speed-jacked rap, there was little narrative. Now, director Gus Van Sant, an Oregon native, is hemming the book's adaptation to the big screen with Milk and Big Love writer Dustin Lance Black. Milk's director of photography Harris Savides is also committed to the film.

Here's a short 42 minute documentary on the LSD driven Psychedelic Revolution of the 60's titled Electric Kool-Aid ...

After several false starts, the project is coming together. "These seeds have been in the wind for a long time," says Ken Babbs, Kesey's best friend and fellow Merry Prankster. "I talked to Gus. And I was happy he was making the movie. Back in the 1970s, Kesey and Gus were friends and Ken told him if anyone ever made the film he wanted Gus to do it."

Van Sant originally pictured the late Heath Ledger for the Kesey role, but now has two marquee names in mind: Woody Harrelson and Jack Black, which might make the film more of comedy than a zany drug jag. Carolyn Garcia (a.k.a. Mountain Girl), a Prankster and former wife of Jerry Garcia, said Harrelson visited Kesey shortly before he died. "They went out into the field and had a pretty good mind meld," Garcia says. "I just know he could play the role." Garcia mentioned Black might be a fit for "The Mad Chemist," the infamous LSD impresario Owsley "Bear" Stanley, who launched an untold number of minds into outer space and was an artist and early sound engineer for the Dead (he's credited with revolutionizing live stereo sound). Black's camp had no comment. And who will play Caroline Garcia? She suggests Scarlett Johansson. Maybe Maura Tierney. "Well, I'm 5'10", so she would have to be tall. I mean, I ride a Harley Davidson."

Lynn Nesbit, Wolfe's literary agent, said the writer will not likely be involved or play a major character in the film. Instead the focus will be on Kesey and his acid-guzzling band of Merry Pranksters. She added Wolfe left the twisted tales years ago and never looked back, "But I should call him before he reads about this in the papers."

And then there's the music. Should it reflect the actual Prankster playlist, it will be an outstanding soundtrack.

Kesey's crew took earnings from One Flew Over The Cuckoo's Nest to fund their legendary Acid Tests, where they hired a relatively unknown band called the Warlocks (later named the Grateful Dead). But at the time of the bus trips, Babbs says they played Ray Charles and John Coltrane: "But mainly we did our own music, which was a form of communication without words." Garcia says there was also plenty of Bob Dylan, early Beatles, Miles Davis, lots of Motown and Pete Seeger. "We also played kids' music," she says. "That and classical music like Beethoven, Wagner, Strauss. Some John Phillips."

Being in the wheelhouse during the early heady days of the Merry Pranksters and the Grateful Dead, Garcia has strong feelings about LSD, the book and those Halcyon days. "This is a very valuable substance and appeared on the planet at the same time as the atomic bomb," she says. "We called it inner space. I'll do it now time to time, but I never took it lightly. When LSD came into my life I realized there was another way. Now, I'm about bringing LSD out into the front."

There are still questions about how the film will bring the book to life — similar dilemmas plagued another chemical classic, Hunter S. Thompson's Fear & Loathing in Las Vegas. Can certain aspects of the book be translated, or will third-party observations and interior monologue flow naturally through the storyline? Bear says "a very large CGI budget" could do the trick. "I think I, along with a design crew of my choosing, can work it out."

Now that the movie is closer to becoming a reality, both Owsley and Garcia are reexamining their relationship to Wolfe's text. "If you ask the people [Wolfe] spoke with they will tell you he wrote what they told him, and that may be true as to the words said — much of which was designed to prank him," Bear says. "The book however is more than the results of his interviews. The real tragedy was that they did not manage to dose him, a common practice of the era."

When Wolfe spoke with Rolling Stone's Mark Binelli for one of our 40th anniversary issues in 2007, he described his Kool-Aid reporting process: "One day Kesey said to me, 'Why don't you put the notebook and the pen away and just be here, and then write about it.' The idea was, join in, take some acid, have a few trips, and then write about it. I didn't say anything. The next day I arrived with my notebook and ball-point pen. He didn't say anything, but that was the answer."

"The movie is long overdue," Garcia says. "On the surface, the book ain't bad. But Wolfe didn't dig into the darker, weirder corners. As a film it will reflect the party. But hopefully it will get the meaning of it all."

~ JOHN CLARKE JR.

Source : Rolling Stone


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The Cannabis Years Documentary : BBC Time Shift

"The Cannabis Years" is a BBC documentary on the history of Cannabis as projected by the mainstream media propaganda heralded by the hilarious 'Reefer Madness' in the late 20's and how this viewpoint quickly changed to social acceptance among the masses as the media came under the influence of the cannabis years ...

This British documentary traces television and the wider media's reactions to cannabis, from the hysterical vilification of the drug in the 1930s, the punitive measures of the stop and search laws and prison sentences for possession, to the more considered debates now taking place and the real possibility of a change in the law. The story is told through programme clips from the BBC archives, newspaper headlines and interviews. It covers the high profile star busts of the 60s and 70s (when people like Tony Curtis, Mick Jagger and Paul McCartney were taken to court) major drug hauls, science programmes, youth culture and politics. Comments on pot by Chicho Marx, Norman Mailer, Mick Jagger, Dennis Hopper and Shirley MacLaine among many others.




Cannabis, called dà má (大 麻) in Chinese, is known to have been used in Taiwan for fiber starting about 10,000 years ago. Cannabis has been used for medicinal purposes for approximately 4,000 years. In the early 3rd century AD, Hua Tuo was the first known person in China to use cannabis as an anesthetic. He reduced the plant to powder and mixed it with wine for administration. Cannabis was prescribed to treat vomiting, plus infectious and parasitic hemorrhaging. Cannabis is one of the 50 "fundamental" herbs in traditional Chinese medicine.

Cannabis has a long history of medicinal use, with evidence dating back to 4,000 B.C.

Surviving texts from ancient India confirm that cannabis' psychoactive properties were recognized, and doctors used it for a variety of illnesses and ailments. These included insomnia, headaches, a whole host of gastrointestinal disorders, and pain: cannabis was frequently used to relieve the pain of childbirth.


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