The much awaited documentary film on DMT titled "The Spirit Molecule" is finally out ... with Navigator, Joe Rogan !
The Spirit Molecule weaves an account of Dr. Rick Strassman's groundbreaking DMT research through a multifaceted approach to this intriguing hallucinogen found in the human brain and hundreds of plants, including the sacred Amazonian brew, Ayahuasca. Utilizing interviews with a variety of experts to explain their thoughts and experiences with DMT, and ayahuasca, within their respective fields, and discussions with Strassman’s research volunteers, brings to life the awesome effects of this compound, and introduces us to far-reaching theories regarding its role in human consciousness.
Several themes explored include possible roles for endogenous DMT, its theoretical role in near-death and birth experiences, alien-abduction experiences, and spiritual states, both within Eastern concepts of enlightenment and Western ideas regarding prophecy, and the uncanny similarities in Biblical prophetic texts describing DMT-like experiences. Our expert contributors offer a comprehensive collection of information, opinions, and speculation about indigenous use of DMT, the history and future of psychedelics within the research community, and within the larger social matrix, and current DMT research. All this, to help us understand the nature of the DMT experience, and its role in human culture and evolution.
The subtle stimulating combination of science, spirituality, anthropology, sociology, and philosophy within the film’s approach sheds light on an array of ideas that could considerably alter the way humans understand the universe and their relationship to it.
The Number 1 reason why Marijuana is Illegal is because the Pharma Cartel does not want you to grow your own Medicine. The Declaration of Independence was written on Hemp. The first car ever made ran on Hemp oil. Hemp seeds are also the healthiest food on the planet with the highest protein content out of any plant.
Marijuana Facts :
As part of the "War on Drugs", U.S. gives hundreds of millions of dollars per year of military aid to Colombia.
War on Drugs results in the arrest of 1 million Americans each year.
Your tax money is spent on maintaining and expanding the prison infrastructure required to continue this policy.
Marijuana is not addictive. Only 1% of Americans smoke it on a daily basis. Withdrawal symptoms, if any, are similar to coffee consumption.
Marijuana has been proven to be effective in reducing nausea induced by cancer chemotherapy, stimulating apetite in AIDS patients, reducing intraocular pressure in people with glaucoma.
Marijuana also reduces muscle spasticity in patients with neurological disorders. Legalizing drugs would inject $76.8 billion a year into the U.S. economy.$44.1 billion from law enforcement savings, $32.7 billion in tax revenue.
DMT : The Spirit Molecule, an excellent documentary based on the brilliant work of Dr. Rick Strassman the best selling author of the famous book by the same name 'DMT : The Spirit Molecule' ... Dr. Rick Strassman shares extensively researched knowledge about the Pineal Gland, DMT, Near Death Experiences, Altered States of Consciousness which complements ancient shamanic knowledge of psychedelic plants and the role played by DMT in the opening of new doors to the transdimensional and the metaphysical realms of consciousness ...
THE SPIRIT MOLECULE weaves an account of Dr. Rick Strassman's groundbreaking DMT research through a multifaceted approach to this intriguing hallucinogen found in the human brain and hundreds of plants. Utilizing interviews with a variety of experts to explain their thoughts and experiences with DMT within their respective fields, and discussions with Strassman’s research volunteers brings to life the awesome effects of this compound, and far-reaching theories regarding its role in human consciousness .
Several themes explored include possible roles for endogenous DMT; its theoretical role in near-death and birth experiences, alien-abduction experiences; and the uncanny similarities in Biblical prophetic texts describing DMT-like experiences. Our expert contributors offer a comprehensive collection of information, opinions, and speculation about indigenous use of DMT, the history and future of psychedelic research, and current DMT research. All this, to help us understand the nature of the DMT experience, and its role in human society and evolution.
The subtle combination of science, spirituality, and philosophy within the film’s approach sheds light on an array of ideas that could considerably alter the way humans understand the universe and their relationship to it.
Ayahuasca, the ancient amazonian psychoactive brew Shamans have used for centuries as a holy sacrament, possesses the power to cure all illnesses and ailments including HIV Aids. Jungle Trip is another brilliant documentary on Ayahuasca Shamanism, the largest psychedelic religion in our world today. ... Lost in the heart of the Peruvian Amazon, there is a vine that is said to talk to humans, giving an understanding to the secrets of life.
Ayahuasca refers to a psychotropic brew made by indigenous Indians of the Amazon jungle from a woody vine (Banisteriopsis caapi, B. inebrians, or B. quitensis) and the leaves of the chakruna plant (Psychotria viridis). Although the name ayahuasca is often used to describe the B. caapi vine, it also refers to the mixture of these two very different plants (DeKorne, 1994). Local medicine men, or shamans, prepare the mixture, sometimes substituting plants for chakruna (also known as sami ruca and amirucapanga), and adding different plants to the mixture depending on the nature of the ceremony (Ott, 1993). Ayahuasca is used by shamans to induce an altered state during which the shaman can look into the future, travel in spirit form, induce healing, remove spells, and cast spells on others.
The word ayahuasca comes from the Quechuan Indian words aya ("spirit," "ancestor," or "dead person") and huasca ("vine"). Together these words refer to the "vine of the soul" or "vine of the dead," a vine that reportedly can free the soul or spirit (McKenna, 1992). Different Amazonian Indian tribes call the plant by names such as yage' (pronounced "yah - hey"), yaje', caapi, natem, pinde, karampi, dapa, mihi, kahi, and many other local names (Shultes & Hoffman, 1992).
Historical Use Of Ayahuasca
Evidence from pre-Columbian rock drawings suggests hundreds of years of ayahuasca use in the Amazon, although Western scientists and explorers have only been exposed to the brew over the last 150 years. In 1851 British plant explorer, Richard Spruce, discovered the Tukanoan Indians in the upper Rio Negro region of the Brazilian Amazon using a liana (vine) known as caapi to induce a state of intoxication. Ecuadorian geographer Villavicencio first mentioned ayahuasca in 1858 while he was exploring the jungles of Ecuador. He described how the source of the drink was a vine used to foresee the future battle plans of enemies, diagnose illness, determine which spells were used and which to use, welcome foreign travelers, and insure the love of their womenfolk (Shultes, 1961). Villavicencio took the drink himself and described the experience of "flying" to marvelous places.
How Ayahuasca Works
Scientific analysis isolated the main chemicals responsible for the hallucinogenic properties of Ayahuasca. In 1923, Fischer analyzed the B. caapi vine and isolated a compound he named telepathine (from the telepathic powers one reportedly gains when under the influence of ayahuasca). It was not until 1969 that a full chemical analysis was carried out (Shultes & Hoffman, 1992), and the compound was actually found contain three active molecules - harmine, harmiline, and d-1,2,3,4-tetrahydroharmine. Harmine and harmiline were shown to be the primary molecules of the B. caapi vine responsible for the altered state of the ayahuasca drinker; however, these chemicals alone could not account for the intense visions and experiences of ayahuasca.
The beta-carboline chemicals like harmine found in the B. caapi vine can be psychedelic, but only in toxic doses (McKenna, 1993). Further research revealed P. viridis (chakruna) as a common admixture to ayahuasca. Assays showed this plant to contain small but significant amounts of the potent hallucinogen DMT or N, N- dimethyltryptamine. However, DMT is rendered in active when taken orally. How does the DMT in chakruna get into the blood when drinking ayahuasca? In the presence of the harmine (found in the B. caapi vine), DMT from the P. viridis plant becomes orally active in the body. Harmine alkaloids inhibit enzymes in the stomach that normally destroy DMT. In other words, the B. caapi vine allows the hallucinogen DMT to make its way to the brain to help induce hallucinations (Turner, 1994). Of the thousands of plants in the Amazon rain forest, only these two types of plants when combined and drank will allow the user to experience a slow, sustained release of DMT and the resulting hallucinations.
Ayahuasca Analogues: Chemicals Without Ceremony
There are a growing number of people in this country using what are known as ayahuasca analogues. These are plants, extracts, and drugs that have chemicals in them similar to those in B. caapi and P. viridis. The purpose of taking these analogues is to simulate the ayahuasca experience by ingesting similar chemicals found in plants such as Peganum harmala (with its harmine alkaloids) and the DMT containing Desmanthus illinoensis (Ott, 1993). Reports flourish on the experiences of individuals experimenting with these analogues, with the most detailed studies found in Jonathan Ott's Pharmacotheon. This amounts to experimentation with plants having no long history of shamanic use such as ayahuasca, and for that reason it is not recommended. Ayahuasca and it's analogues are not recreational drugs - uneducated use could be fatal (DeKorne, 1994). Although chemicals similar to those in ayahuasca can create definite physical reactions in the user, there are still some vital missing elements. For one, there is the role of the shaman.
The Pineal Gland or the 'Seat of the Soul' as described by Rene Descartes, is the focal point of our spiritual guiding system which makes us go beyond the five senses of rationality and become multisensory, tuned into and aware of higher dimensions of consciousness within a holographic cosmos. Cannabis or Marijuana among other psychedelics facilitates the activation of the pineal gland and helps turn on the third eye or the mind's eye directing our spiritual evolution to wholeness.
Here is an article by Chris Bennett on Cannabis & the Power of the Pineal Gland ...
Pineal Power
((( The Pineal Gland is the Key to Psychedelic Enlightenment )))
The pineal gland, located in the centre of the brain, is about a quarter of an inch in size, reddish-gray, and weighs about one-tenth of a gram. Unlike other parts of the brain which come in pairs, the pineal gland is singular. Its location in the center of the brain and presence in other species indicates it is an older part of humanity's evolutionary brain system.
The pineal gland is present in all lower vertebrae. In other species, like birds, reptiles and frogs, the pineal gland is called the parietal eye or "third-eye" as its functions closely resemble that of an actual eye. In these other species, the pineal gland has components of an actual eye, with a cornea, rod and cone. It is considered to be the vestige of a functional sense organ of early primitive vertebrates.
Directly affected by the light taken in through the eyes, the pineal regulates sleep, menstrual cycles, mating seasons, hibernation, seasonal flight patterns and many other "instinctual" behaviors.
Tryptamine Trippiness
Psychedelic researcher Dr Rick Strassman has explained how the pineal gland "is quite active in synthesizing compounds related to serotonin, an important neurotransmitter in the brain. Neurotransmitters are the chemical messengers allowing communication among individual nerve cells. Most typical psychedelic drugs, such as LSD, mescaline, psilocybin, and DMT are active in brain sites which are also affected by serotonin. In addition, most of these drugs are similar in their chemical structure to serotonin."
Strassman states that most of the above substances belong to the "tryptamine" class of drugs, and proposed that the pineal gland produces "one or two endogenous tryptamines found in human blood and cerebrospinal fluid. This latter fluid continually bathes the brain, and compounds found in it most likely affect brain function."
Strassman also explains how "psychedelic drugs, meditational states, spontaneous near-death experiences and other phenomena which may induce stereotypic death/rebirth and paradisal/hellish states act via the pineal gland.
Lyttle points to the universal mystic vision of God as an all-consuming white light, and postulates that on a physiological level, this experience is produced from chemical reactions in the pineal gland which is extremely light sensitive. "Light, the eyes and the 'third eye' or pineal gland form a triad which directly controls and regulates normal or altered consciousness and many bodily functions? these three factors are also directly related to, or implicated in, mystical states and the 'psychedelic' experience."
Visions of white light are not only associated with mysticism and psychedelic explorations, but are also a prevalent image recorded by those who experience the near-death state. A reason for this recurring theme in near-death states may be found with Dr Strassman, who suggests that after death, as the pineal gland shuts down, some of the chemical present in it may turn into "psychedelic" drugs!
According to Dr Strassman, the pineal gland may not only play an important role in death, but also in birth, possibly even in rebirth...
The pineal gland first becomes visible in the human fetus at the same time as does the clear differentiation of the fetus into female or male gender. The time for both of these events is 49 days, the period of time that, according to several Buddhist texts, the life force of a deceased individual coalesces around its next corporeal existence. If the life force does indeed enter through the pineal, the manifestation of this coming and going would be the release of psychedelic tryptamines, which would mediate the visionary experiences associated with near-death, and near-birth states.
Spiritual Traditions
Certain initiatory cults, such as Tantrism, Kundalini and Gnosticism, acknowledged the role of the pineal gland in the spiritual process. The spiritual/instinctual life force was seen as a serpent, due to its physical structure extending from the genitals, through the spine and up into its single all-seeing eye in the pineal gland.
These spiritual systems focussed around the raising of this primordial serpentine energy, based in the genitals and at the core of the pro-creative process. Through certain yogic practices this energy can be reversed and forced to travel up the spine into the brain, where it is reputed to cause "enlightenment".
In the Kundalini system, which has seven distinct energy centers, the pineal gland has been variously identified with the "Ajna Chakra" and alternatively the "Sahasrara Chakra". Both pre-Christian Mithraic and second century Gnostic texts also distinctly refer to the pineal gland in relation to seven distinct energy centers and this serpentine energy.
Not surprisingly, a common experience of those who have successfully raised their kundalini is the vision of all-consuming white light. More importantly, the devotee who successfully raises the kundalini experiences a radical switch in consciousness, obliterating the sense of individuation, and enters Nirvana.
Another potential reference to this curious little gland may occur at the end of the New Testament book of Revelation, where we find that the elect will know God intimately, "his name will be in their foreheads," which is where the pineal deeply lies. Noting the gland's strong connection with light, the rest of the passage is interesting: "There will be no more night; they will not need the light of a lamp or the light of the sun, for the Lord God will give them light."
Likewise in the Qabalistic tradition, the primordial archetypical man, Adam Kadmon, shines forth with a light from his forehead that was rich in complex patterns and linguistic symbols. Similar imagery occurs in the Persian tradition of the light-like sacred fluid, the "vivifying and spermatic" xvarenah. "Ahura Mazda is preeminently the possessor of xvarenah, but this 'flame' also springs from the forehead of Mithra and like a solar light emanates from the heads of sovereigns."
This mind-light from the forehead is also identical with the 3rd Eye of Shiva, which when opened in the individual burns away the concept of ego-bound consciousness, and when opened collectively has the potential to burn away the ties and fetters of the Old World Order.
Perhaps if enough modern psychonauts achieve the pineal experience we can push this new frame of mind onto the rest of ego-bound humanity. Here at the turning of the millennia, in the apocalyptic year of 1999, never has the potential for the state of mind which has been the goal of yogic sages, and psychedelic voyagers alike been so possible to attain for humanity as a whole.
This year’s Boom festival compelled at least 25,000 people to make the long trek to a hot and dusty corner of Portugal near the Spanish border, where they decamped along the shores of a large lake whose presence mitigated the ferocity of the sun and the sear environs. The bi-annual festival has been running for over a decade, and it has long been recognized as one of the more underground and intentional of the larger festivals devoted to psytrance—that intensely trippy electronic dance genre whose ferocious metronomic beat sends dancers surging and stomping through interdimensional portals fringed with swirling sonic filigrees and creepy “lurker at the threshold” samples.
As befits the mind-melting aspirations of this potent and popular subgenre, Boom’s dominant subcultural tone is neotribal: a rave-inflected millennial florescence of hippie shit like long hair, dreads, feral fashion exotica, chai shops, massage booths, copious cannabis consumption, and paganish New Age tantric mysticism.
I gave a talk at the Liminal Village, one of half a dozen various stages and sound systems that defined the cultural ecology of the festival. A large tent surrounded by delightful gardens and bamboo temples that had been created in the weeks running up to the festival, the Liminal Village did the important work of injecting discourse, practices, workshops, discussions, and images—through both a visionary art gallery and a film series—into the festival environment. This learning center takes advantage of the fact that outdoor festivals are liminal zones, in-betwixt and in-between. With their peculiar blend of hedonic utopia and aimless refugee camp, the festival creates a space-time warp that allows people to glimpse new possibilities, to receive new map points, to reformat their expectations of themselves, and of the slippery dream of reality as well.
The Liminal Village formalized this process, advancing global countercultural concepts, practices, and politics in a subcultural space that is geared to the experience and desires of hundreds of thousands of predominantly young people around the planet. Much of this material was too woo for my tastes, with too much fuzzy talk of “the coming shift” and the “emerging culture” (as my friend Zariat pointed out, culture is always emerging). The calendrical fetish of 2012—the shamanic Y2K that even wacky Christian end-times preachers are now starting to invoke—reared its literalist head. At the same, though, I believe we need to work with the meta-consciousness implied by these urgent and millennialist memes, and was happy to lend my voice on a talk about the origins and character of apocalypse consciousness that remained, as far as I know, unrecorded (doh!). The basic message? Wake up and dream.
I am not a big psytrance fan, and found the main stage this year even less dance-inducing than usual, thought that may have been due to a decision to restrict my psychoactive diet (almost) to hash spliffs and caffeine. Properly off your face, and especially with eyes closed, the electronic precision and charka tweaking techniques of a good psytrance set can rewire a psychedelicized nervous system as powerfully as, say, a fat balloon of nitrous oxide—and for a much longer stretch of time. But I find it all too insistent, machinic, and alienating, perhaps because my trance dance body was shaped by the far more organic slop of the Grateful Dead. Boom provided some of that live band energy with the Sacred Fire stage, though every time I swung by, it just sounded like dorky world fusion. I preferred the Groovy Beach stage, which a wide range of electronic booty music ranging from stanky breaks to dubstep to minimal techno laced with Boards-of-Canada melancholy, as well as some impressively dreadful pop cheese to boot. My favorite set, from a DJ whose name I was too time-damaged to ever track down, was devoted to witty and sinuous tech funk, a playfully polyrhythmic splice of techno, electro, and breaks that resurrected some old school disco moves—including the deeply charming handclap—in a spirit not so much of irony as innocent exuberance.
Boom features a lot of visible consumerism. Attendees were confronted with a long line of reasonably good food-stalls, dozens of vendors providing the latest twists and turns of neotribal fashion’s feral mutations, and lots of beer stands. Given that Burning Man is just around the bend, I could not resist noting how much the alternative mall undercut the self- and clan-reliance that makes playaspace feel so much farther away from conventional reality. Though Burning Man encourages its own breed of mindlessness, and though vending allows many travelers to escape the empire of conventional work, a lot of Boom attendees were clearly coasting on the usual urban logic of consumption and distraction.
Perhaps this explains the depressing fact that there was litter everywhere, a pervasive and ugly webwork of crap that undermined the rhetoric and practice of environmental awareness that otherwise sets the Boom apart from most corporate festivals. The festival organizers provided compost toilets, recycling stations, and generators powered with veggie oil recycled from the previous festival. There were problems of course—the compost toilets were unclean, a nasty bug attacked many a GI tract, while other low impact strategies seemed to have principally reflected a need to cut costs. Still, the Boom folks were clearly set on making a difference. But the trash skeins of beer cans, plastic water bottles, cigarette butts and other moop—which the far larger and more chaotic Burning Man manages to largely avoid—reflected how much work it takes to draw festival-goers out of engrained and thoughtless behaviors.
Orbs at Boom Festival 2008
There were a few other obvious differences from the West Coast freak festivals I know best. On the plus side, there was hardly any visible police presence, and, given that the consumption of drugs has been effectively decriminalized in Portugal, this made for the refreshingly free and open consumption of cannabis. On the other hand—and somewhat surprisingly—the crowd seemed a bit more uptight with their bodies and physical display. The freak costumes were more generic, there was less body modification, and there was nary an exposed bosom or hairy ass to be found, even though hundreds of people were swimming in the lake every hot afternoon. I got the sense that young Europeans were more distant from their hippie forebears than we are in the West Coast.
Of course, Europe has exceptional performers, and hoopers, jugglers, and fire dancers all performed at the Theatroom, a large stage devoted to alternative performance arts. There were also a number of interactive art pieces and inventive, low-cost structures, many created from recycled materials. Near the Liminal Village stood one flower-shaped device around twelve feet high, which my pal Spoon dubbed the “trance machine.” Cords attached to each of its “petals” could be yanked on, triggering a single track that the collective crowd of cord-yankers could mix into a thumping tune.
Next door was a long, low-slung tent that concealed the Kaleidoscopic Creature, a theatrical experience which I had caught the previous year at the UK’s notoriously muddy Glade festival. After entering and sitting down at one end of the tent, the small audience is treated to an interdimensional rocket-ride produced by a ingenious and decidedly analog blend of mirrors and puppetry. Despite (or because of) the low tech, the Creature conjures up more cosmic awe, organic metamorphosis, and mythopoetic sentience than any festival art I have ever seen. A big fat gold star to the French crew.
Given that Boom is essentially a week-long trip-party for young people, I was most interested in checking out how different crews with somewhat different agendas created cultural spaces and cognitive feedback loops designed to raise and clarify the consciousness, intentionality, and environmental awareness of these budding hedonists. The Liminal Village and the Healing Center did this through talks and workshops and films, while the harm reduction crew who staffed Cosmic Care created a safe space staffed with experienced crisis managers able to care for most of the psychoactive casualties without calling in the heavy guns.
Free publications and a variety of gardens introduced attendees to the philosophy and practice of permaculture, hopefully focusing the often nebulous rhetoric about “planetary consciousness” into practical expressions. But as the litter proved, there is still a large gap between attendees who are tuned into these intentional processes and the ones who are there to party and feel no compulsion to open their ears to the good news/very bad news that in-your-face environmental consciousness demands. Again I thought of Burning Man, which, for all the faults and fuck-ups and toxic trash, does a great job of inculcating a basic ethic of personal responsibility, and at the very least programs people to pick up their trash.
The most bid for sanity in the swirling dynamics of the Boom was a drug-testing unit set up by Energy Control, a dynamite Spanish harm reduction crew centered in Barcelona. Inside a teepee at the edge of a spit of land, where a somewhat dodgy bridge made of empty metal barrels led to the Sacred Fire stage and yet another healing center, Energy Control set up a simple and inexpensive thin layer chromatography lab. Using only a very small amount of materials dropped off by attendees, Energy Control could set brand claims against chemical reality. Tiny red stars sold as mescaline (an impossibility given the weight of an effective mescaline dose) were revealed to be LSD, while a lot of the Ecstasy sold featured mixtures of caffeine and other bunk rather than MDMA. As an advisory board member for Erowid—which had a booth alongside Energy Control—I was tickled pink with this direct injection of rational data into the psychoactive feedback loops of desire and consumption that characterize this offline, down-and-dirty festival. Look for an extensive interview with the Energy Control crew in the next edition of Erowid Extracts.
Finally, all this talk of drugs would be incomplete if I did not relate an experience I had with a substance that came my way through the happenstance that festivals breed—what the visionary artist Luke Brown called “syncronnections.” Changa is a DMT-containing smoking mixture developed in Australia that is being touted, with fair reason, as “smokable ayahuasca.” Unlike freebase DMT, changa is a dried plant mixture containing crushed leaves from the ayahuasca vine Banisteriopsis Caapi, along with other herbs, which were not identified on the colorful sticker of my plastic baggy but that sometimes include the Mexican dream herb Calea Zacatechichi and the South American Justicia Pectoralis. A solution of DMT is then most likely enfused into this smoking mixture. As with the ayahuasca brew, the vine provides the MAO inhibitor that modifies and extends the sometimes beautiful and always bizarre flash of DMT, which, given changa’s Oz origins, is most likely sourced from acacia.
Along with a friend, I said hello to changa on the last night of the festival. We sat on a small hill facing away from the sound systems and towards the lake, where the bulbous moon—which had been almost entirely eclipsed the night before—glittered on the water like a quicksilver mist. In the distance glowed the lights of a medieval mountain town with the somewhat ominous name of Monsanto. The smoke was sweet, and the entrance into the vestibule of the tryptamine palace was smooth but strong, and I slid gently along DMT’s inside-outside Mobius strips of sentient energy with more clarity and with less anxiety than usual. My fingers folded into spontaneous mudras and the breath of fire sparked without will. Then the vibrating weave of nature’s alien mind fluttered and unfolded us and set us gently back on the scraggly hillside, where the crickets and their ambient chirp-track trumped the distant thump of machines.
The Pineal Gland is a hyper dimensional Stargate built into our human physiology which enables us to Time Travel. This technology was reverse engineered by the ancient Atlantean society. The stargate functions by the use of ordinary water, H2O. When shielded off from all of the electromagnetic references to our existing 3rd dimensional space/time... the water can shift and have a connection made to an inverted reality of time/space (3 dimensions of time and one dimension of space). When time/space has been entered there is access to one dimension of space and ability of movement through time...
In this realm fast forwarding or rewinding through time can be accomplished very easily much like in space/time we have easy movement ability through space.
This is accomplished through tiny molecules within the pineal gland water called microclusters. These micro clusters are depicted in plutonic solid geometry shapes. The microclusters form a resonant gateway which allows transition into time/space.
When "fired up" by means of "Kundalini activation" the pineal gland stargate technology is accessed. "Kundalini activation" is the balancing of all of the chakra energy centers within the human body that will ultimately allow for pineal gland technology activation. This activation is felt as a ringing, buzzing or pressure inside of the head. During this process a series of complex electromagnetic intersecting rings of energy spin around the water within the pineal gland which causes the pineal gland to "gate over" into time/space where your access to linear time can be directed to some degree by your conscious focus.
In the documentary The 2012 Enigma David Wilcock speaks about DNA, Consciousness, Stargate Technology & The Pineal Gland in detail ... this is the part where he speaks about the Pineal Gland.
