Showing posts with label LSD. Show all posts
Showing posts with label LSD. Show all posts
Tuesday, August 3, 2010

When You're Strange : A Film About The Doors


"When You're Strange" is a 90 minute documentary film on "The Doors" ... One of the first ever made about them ! The crowd-pleasing movie has been featured at the Sundance, Berlin, Deauville and San Sebastian Film Festivals and most recently played to sold-out shows at the Santa Barbara Film Festival.

Produced by Wolf Films/Strange Pictures, in association with Rhino Entertainment, and released by Abramorama.


“They say if you remember the ‘60s you weren’t there,” said producer Dick Wolf. “I can state definitively that one of the things I do remember is buying THE DOORS first album the day it came out and then listening to it about ten or twelve times in a row. Both sides. Every song. I’ve been a fan ever since. This movie is the story of the band but it is also an insight into a moment in time that will never be repeated.”

WHEN YOU’RE STRANGE uncovers historic and previously unseen footage of the illustrious rock quartet and provides new insight into the revolutionary impact of its music and legacy. Directed by award-winning writer/director Tom DiCillo and narrated by Johnny Depp, the film is a riveting account of the band’s history.

Said Depp, “Watching the hypnotic, hitherto unreleased footage of Jim, John, Ray and Robby, I felt like I experienced it all through their eyes. As a rock n’ roll documentary, or any kind of documentary for that matter, it simply doesn’t get any better than this. What an honor to have been involved. I am as proud of this as anything I have ever done.”

The film reveals an intimate perspective on the creative chemistry between drummer John Densmore, guitarist Robby Krieger, keyboardist Ray Manzarek and singer Jim Morrison — four brilliant artists who made The Doors one of America’s most iconic and influential rock bands. Using footage shot between the band’s 1965 formation and Morrison’s 1971 death, WHEN YOU’RE STRANGE follows the band from the corridors of UCLA’s film school, where Manzarek and Morrison met, to the stages of sold-out arenas.






Related Posts :

Friday, June 25, 2010

Johnny Depp : Fear and Loathing in Las Vegas !


"Fear and Loathing in Las Vegas" is a 1998 comedy film adaptation of Hunter S. Thompson's 1971 novel Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream. The film, directed by Terry Gilliam, stars Johnny Depp as Raoul Duke and Benicio del Toro as Dr. Gonzo.

The film opens with a montage of protests regarding the Civil Rights Movement and Vietnam War, before cutting to Raoul Duke (Depp) and Dr. Gonzo (Del Toro) speeding down the desert of Nevada. Duke, under the influence of mescaline, complains of hallucinating a swarm of giant bats, before going through the pair's inventory of psychoactive drugs. Shortly afterward, the duo stop to pick up a young hitchhiker (Tobey Maguire), and explain what they are doing. Duke has been assigned by an unnamed magazine to travel to Las Vegas and cover the Mint 400 motorcycle race. However, they have also decided to take advantage of this trip by purchasing countless drugs, and rent a brand new Chevy Impala convertible. The young man soon becomes terrified of the drug-filled antics of the duo, and flees on foot. Trying to reach Vegas before the hitchhiker can go to the police, Gonzo gives Duke a tab of "Sunshine Acid", then informs him that there is little chance of making it before the drug kicks in.





Tracklist :

1. "Combination of the Two" by Big Brother and the Holding Company
2. "One Toke Over the Line" by Brewer & Shipley
3. "She's a Lady" by Tom Jones
4. "For Your Love" by The Yardbirds
5. "White Rabbit" by Jefferson Airplane
6. "A Drug Score - Part 1 (Acid Spill)" by Tomoyasu Hotei & Ray Cooper
7. "Get Together" by The Youngbloods
8. "Mama Told Me Not to Come" by Three Dog Night
9. "Stuck Inside of Mobile with the Memphis Blues Again" by Bob Dylan
10. "Time Is Tight" by Booker T. & the MG's
11. "Magic Moments" by Perry Como
12. "A Drug Score - Part 2 (Adrenochrome, the Devil's Dance)" by Tomoyasu Hotei & Ray Cooper
13. "Tammy" by Debbie Reynolds
14. "A Drug Score - Part 3 (Flashbacks)" by Tomoyasu Hotei & Ray Cooper
15. "Expecting to Fly" by Buffalo Springfield
16. "Viva Las Vegas" by Dead Kennedys






Related Posts :

Friday, April 30, 2010

Hofmann's Potion : LSD Documentary


In 2002 Concepta Film finished a film called "Hofmann's Potion: The Early Years of LSD". Written and directed by Connie Littlefield and Produced by Kent Martin for the National Film Board of Canada. The documentary delves into the little known early history of the world's most notorious psychedelic.

Long before Timothy Leary urged a generation to "turn on, tune in and drop out," lysergic acid diethylamide, or LSD, was being used by researchers trying to understand the human mind. This documentary is a fascinating look at the story of "acid" before it hit the streets.

Featuring interviews with many LSD pioneers, Hofmann's Potion is much more than a simple chronicle of the drug's early days. With thoughtful interviews, beautiful music and stunning cinematography, it is an invitation to look at LSD, and our world, with a more open, compassionate mind.


The film features interviews with the following people :
  • Albert Hofmann
  • Myron Stolaroff
  • Stanislav Grof
  • Humphrey Osmond
  • Abram Hoffer
  • Duncan Blewett
  • Ralph Metzner
  • Ram Dass
  • Laura Archera Huxley

Download "Hofmann's Potion" (Torrent)

Reference : Conceptafilm ~ Hofmann's Potion


Related Articles :
Monday, April 19, 2010

The Psychedelic Experience : Entheogens, DNA & The Double Helix Structure


It's not a widely known fact that Crick was under the influence of LSD when he discovered the double-helix structure of DNA and that this supreme achievement of scientific rationalism, for which he won the Nobel Prize, came to him in an altered, even mystical state of consciousness. Until his death in 2004 Crick remained an atheist, deeply committed to the materialist view of reality.

Nevertheless he was unable to accept that the DNA molecule could have assembled itself by accident. So he came to the idea that perhaps life originated on Earth this way: perhaps billions of years ago on the other side of the galaxy, doomed by a supernova, some ancient alien civilization sought to preserve its DNA, and he suggests that bacteria - perhaps with genetically engineered DNA inside them - were sent out into the Universe in spaceships. Eventually one of those ships crashed into the early Earth, and the bacteria containing that DNA began to reproduce, and the whole story of evolution as our scientists tell it started there. Once we have the DNA, evolution becomes plausible. Until we have the DNA, it's difficult to explain.


The Cosmic Serpent : DNA and the Origins of Knowledge is a 1995 non-fiction book by Jeremy Narby. Narby performed two years of field work in the Pichis Valley of the Peruvian Amazon researching the ecology of the Ash. Moreáninka, an indigenous peoples in Peru.




Investigating the connections between shamanism and molecular biology, Narby hypothesizes that shamans may be able to access information at the molecular level through the ingestion of entheogens, specifically Ayahuasca. Biophysicist Jacques Dubochet criticized Narby for not testing his hypothesis. Narby and three molecular biologists revisited the Peruvian Amazon to try to test the hypothesis, and their work is featured in the documentary film, Night of the Liana.





Watch Part 6 on YouTube ...









Related Articles :
Wednesday, January 27, 2010

Timothy Leary : The Man Who Turned On America


Timothy Francis Leary was born is Springfield, Massachusetts in 1920. He attended West Point in the early '40s (where he didn't exactly fit in) and then served in the military during WWII. He earned his PhD in psychology from U.C. Berkeley and taught there briefly but moved to Harvard after his first wife's death. He first took psilocybin mushrooms in 1960 during a trip to Mexico. When he returned to Harvard he began the Harvard Psilocybin Project, studying the effects of psilocybin on humans. As part of the project he, along with Richard Alpert and Ralph Metzner, gave psilocybin to a series of volunteers including Allen Ginsberg, Jack Kerouac, Neal Cassady, and Arthur Koestler, among others.

In 1962 Leary was introduced to LSD for the first time by Michael Hollingshead. He had what he later described as "the most shattering experience of his life". Leary became a spokesman for LSD and the psychedelic movement, encouraging people to "turn on, tune in, and drop out". In 1963, he and Richard Alpert were fired from their positions at Harvard after which they both lived at Millbrook for a time. At Milbrook they continued to work with psychedelics both therapeutically and recreationally...with the occasional help of Allen Ginsberg, Jack Kerouac, William Burroughs, Abbie Hoffman and Aldous Huxley.


In 1965, while crossing into the U.S. from Mexico, Leary's daughter was caught with marijuana. Leary took responsibility, was convicted of marijuana possession under the Marijuana Tax Act and sentenced to 30 years in prison. He appealed the case based on the argument that the Marijuana Tax Act required self-incrimination in order to comply with it, and therefore was unconstitutional. In 1969, the U.S. Supreme Court agreed with him, declaring the Marijuana Tax Act unconstitutional and overturning his conviction.

In 1970, Leary was convicted once again of marijuana possession and sentenced to 10 years in prison. He escaped from the minimum security prison and fled with his wife to Algeria and then Switzerland. In 1973 he was arrested by DEA agents in Afghanistan and returned to prison in California. He served three years before being parolled 1976.

Leary became interested in virtual reality and cyberculture and spent the last twenty years of his life writing and lecturing. He worked with a group of friends to document his own process of dying from prostate cancer. He died quietly in his own bed, surrounded by friends, and on Feb 9 1997, a portion of Leary's cremated remains were launched into space.

Timothy Leary 's life experiences and the psychedelic 60s have a lot we can learn from ... a good opportunity to evolve from the 5 sensory to the multisensory as we journey through the shamanic visions of the golden age ... we are co-creating here, now ...

In Lak'ech ...



References :

Related Articles :
Tuesday, January 19, 2010

Electric Kool Aid LSD 60's Psychedelic Revolution


The onscreen version of Tom Wolfe's literary cult hit 'The Electric Kool-Aid Acid Test' is primed to hit theaters by 2010. When published in 1968, the book shattered cultural perceptions of the peaceful, passive hippie zeitgeist by introducing the Merry Pranksters, author Ken Kesey's roving gonzo army of LSD-fueled pioneers who tripped about the country, mixing it up with rowdy Oregonians, Bay Area hippies, Hollywood rockers, Hell's Angels and a flurry of left-handed characters that launched the psychedelic movement into mainstream America and ushered in the Grateful Dead.

Over the years, footage and audio of the Oregon-based Merry Pranksters have surfaced, but was little more than ragged, disjointed documentation of the group tripping and weirding out. Except for Neal Cassady's endless speed-jacked rap, there was little narrative. Now, director Gus Van Sant, an Oregon native, is hemming the book's adaptation to the big screen with Milk and Big Love writer Dustin Lance Black. Milk's director of photography Harris Savides is also committed to the film.

Here's a short 42 minute documentary on the LSD driven Psychedelic Revolution of the 60's titled Electric Kool-Aid ...



After several false starts, the project is coming together. "These seeds have been in the wind for a long time," says Ken Babbs, Kesey's best friend and fellow Merry Prankster. "I talked to Gus. And I was happy he was making the movie. Back in the 1970s, Kesey and Gus were friends and Ken told him if anyone ever made the film he wanted Gus to do it."

Van Sant originally pictured the late Heath Ledger for the Kesey role, but now has two marquee names in mind: Woody Harrelson and Jack Black, which might make the film more of comedy than a zany drug jag. Carolyn Garcia (a.k.a. Mountain Girl), a Prankster and former wife of Jerry Garcia, said Harrelson visited Kesey shortly before he died. "They went out into the field and had a pretty good mind meld," Garcia says. "I just know he could play the role." Garcia mentioned Black might be a fit for "The Mad Chemist," the infamous LSD impresario Owsley "Bear" Stanley, who launched an untold number of minds into outer space and was an artist and early sound engineer for the Dead (he's credited with revolutionizing live stereo sound). Black's camp had no comment. And who will play Caroline Garcia? She suggests Scarlett Johansson. Maybe Maura Tierney. "Well, I'm 5'10", so she would have to be tall. I mean, I ride a Harley Davidson."

Lynn Nesbit, Wolfe's literary agent, said the writer will not likely be involved or play a major character in the film. Instead the focus will be on Kesey and his acid-guzzling band of Merry Pranksters. She added Wolfe left the twisted tales years ago and never looked back, "But I should call him before he reads about this in the papers."

And then there's the music. Should it reflect the actual Prankster playlist, it will be an outstanding soundtrack.

Kesey's crew took earnings from One Flew Over The Cuckoo's Nest to fund their legendary Acid Tests, where they hired a relatively unknown band called the Warlocks (later named the Grateful Dead). But at the time of the bus trips, Babbs says they played Ray Charles and John Coltrane: "But mainly we did our own music, which was a form of communication without words." Garcia says there was also plenty of Bob Dylan, early Beatles, Miles Davis, lots of Motown and Pete Seeger. "We also played kids' music," she says. "That and classical music like Beethoven, Wagner, Strauss. Some John Phillips."

Being in the wheelhouse during the early heady days of the Merry Pranksters and the Grateful Dead, Garcia has strong feelings about LSD, the book and those Halcyon days. "This is a very valuable substance and appeared on the planet at the same time as the atomic bomb," she says. "We called it inner space. I'll do it now time to time, but I never took it lightly. When LSD came into my life I realized there was another way. Now, I'm about bringing LSD out into the front."

There are still questions about how the film will bring the book to life — similar dilemmas plagued another chemical classic, Hunter S. Thompson's Fear & Loathing in Las Vegas. Can certain aspects of the book be translated, or will third-party observations and interior monologue flow naturally through the storyline? Bear says "a very large CGI budget" could do the trick. "I think I, along with a design crew of my choosing, can work it out."

Now that the movie is closer to becoming a reality, both Owsley and Garcia are reexamining their relationship to Wolfe's text. "If you ask the people [Wolfe] spoke with they will tell you he wrote what they told him, and that may be true as to the words said — much of which was designed to prank him," Bear says. "The book however is more than the results of his interviews. The real tragedy was that they did not manage to dose him, a common practice of the era."

When Wolfe spoke with Rolling Stone's Mark Binelli for one of our 40th anniversary issues in 2007, he described his Kool-Aid reporting process: "One day Kesey said to me, 'Why don't you put the notebook and the pen away and just be here, and then write about it.' The idea was, join in, take some acid, have a few trips, and then write about it. I didn't say anything. The next day I arrived with my notebook and ball-point pen. He didn't say anything, but that was the answer."

"The movie is long overdue," Garcia says. "On the surface, the book ain't bad. But Wolfe didn't dig into the darker, weirder corners. As a film it will reflect the party. But hopefully it will get the meaning of it all."

~ JOHN CLARKE JR.

Source : Rolling Stone


Related Articles :
Tuesday, August 4, 2009

LSD : Albert Hofmann's Wonder Child !


Albert Hofmann, the Father of LSD has made one of the most significant contributions to modern society with the synchromystically meaningful discovery of LSD while researching the medicinal properties of the fungus 'Ergot' which grows on cereal plants such as barley, wheat and rye. Ergot was traditionally used by midwives as an ecbolic, a medication used to induce childbirth, and early 20th century research indicated that the various compounds in ergot had other effects on the body as well, prompting further research. Like a blessing from the Gods, LSD emerged in our world at a time when our society was in dire need for a shift in consciousness to adopt new ways to peacefully coexist. LSD continues to expand consciousness of millions worldwide who have had the wisdom to launch their own investigation into the true nature of things through a little research and personal experience.


Steve Jobs, an American businessman, co-founder and CEO of Apple Inc. and former CEO of Pixar Animation Studios has never been shy about his use of psychedelics, famously calling his LSD experiences "one of the two or three most important things I have done in my life."

Psychedelic drugs have influenced some of America's foremost computer scientists. The history of this connection is well documented in a number of books, the best probably being 'What the Dormouse Said: How the 60s Counterculture Shaped the Personal Computer', by New York Times technology reporter John Markoff.



Psychedelics or Entheogens pushed the computer and Internet revolutions forward by showing folks that reality can be profoundly altered through unconventional, highly intuitive thinking. Douglas Engelbart is one example of a psychonaut who did just that: he helped invent the mouse. Apple's Jobs has said that Microsoft's Bill Gates, would "be a broader guy if he had dropped acid once." In a 1994 interview with Playboy, however, Gates coyly didn't deny having dosed as a young man.


Thinking differently, or learning to Think Different, as a Jobs slogan has it ... is a hallmark of the acid experience. "When I'm on LSD and hearing something that's pure rhythm, it takes me to another world and into anther brain state where I've stopped thinking and started knowing," Kevin Herbert told Wired magazine at a symposium commemorating Hofmann's one hundredth birthday. Herbert, an early employee of Cisco Systems who successfully banned drug testing of technologists at the company, reportedly "solved his toughest technical problems while tripping to drum solos by the Grateful Dead."



"It must be changing something about the internal communication in my brain," said Herbert. "Whatever my inner process is that lets me solve problems, it works differently, or maybe different parts of my brain are used."

According to reporter Alun Reese, Francis Crick, who discovered DNA along with James Watson, told friends that he first saw the double-helix structure while tripping on LSD.



On his 101st birthday Albert Hofmann wrote a letter to Steve Jobs to help him in the transformation of LSD his problem child to a wonder child ! :)



Dear Mr. Steve Jobs,

Hello from Albert Hofmann. I understand from media accounts that you feel LSD helped you creatively in your development of Apple computers and your personal spiritual quest. I'm interested in learning more about how LSD was useful to you.

I'm writing now, shortly after my 101st birthday, to request that you support Swiss psychiatrist Dr. Peter Gasser's proposed study of LSD-assisted psychotherapy in subjects with anxiety associated with life-threatening illness. This will become the first LSD-assisted psychotherapy study in over 35 years.

I hope you will help in the transformation of my problem child into a wonder child.

Sincerely,

A. Hofmann




References :


Related Articles :

Wednesday, July 8, 2009

Psychedelics & Altered States of Consciousness



The use of plant based psychedelics to attain altered states of consciousness has been known to man for as long as ... it's anyone's guess. Our psychedelic history which remains unknown to most who have settled for the easy answer, Drugs, ... with little or no awareness of mind altering substances and the fact that they have been known to the ancients as 'Food of the Gods', ingested to awaken the divine presence within ... Plant based psychedelics have in fact been the catalyst in human evolution and continue to nourish the soul's need for wholeness.

There are some of us who have had the courage and curiosity to venture into the unknown and they are the ones that have come back to tell us about their magical experiences in the realms of the metaphysical. Everything changes once we make the unknown, known !

Ancient medicine men or Shamans have always known the power of attaining altered states of consciousness to heal, have visionary experiences, see the future, astral travel and time travel to other worlds and commune with divine entities, nature spirits ... transdimensional non physical beings of light !


Here is the foreword from the book "The Ecstatic Adventure : Reports of Chemical Explorations of the Inner World" by Alan Watts followed the introduction by Ralph Metzner ...

MANY ARE DOUBTLESS hoping that the current surge of interest in consciousness-changing chemicals will prove to be a passing fad. If so, it will only be through the discovery of simpler and more enduring ways of altering man's perception of his own existence. For it is increasingly clear to those who study ecology, sociology, biology, and even physics, that the individual organism is not what it usually feels itself to be: a bag of skin stretched around bones, muscles, and other organs as the temporary vehicle of a distinct and particular self or ego.

The sensation of oneself as a separate center of consciousness and will, confronting an external world in which one is an alien and an intelligent fluke, is quite clearly a hallucination. It bears no resemblance to man, or any other organism, described in the above-named sciences, all of which see beings, events and things as processes which, however clearly distinguishable, are inseparable from the processes which surround them and constitute their environment.

This is simply because one can hardly begin to describe the process, the behavior pattern, of an organism without at the same time including some description of the behavior patterns of its environment. The scientist is therefore bound to recognize that what he is describing is not a solitary organism but a vast and theoretically limitless field of relationships which he calls (rather clumsily) the organism-environment. This is not a merely deterministic situation in which the organism responds like a puppet to environmental influences. It is rather that they are two aspects, or poles, of a single process: they transact mutually, almost like the left and right sides of a moving snake.

If this situation were to become an actual perception or sensation, it would be obvious that the usual identification of oneself as an independent ego is a social institution rather than a physical reality, having therefore the same kind of reality status as a minute or a verbal definition. The individual would perceive his physical existence more clearly and cease to hallucinate his ego as a natural entity. Instead, he would find himself in a state of consciousness closely resembling the common form of mystical experience known as "cosmic consciousness."


Experiences and sensations of this kind are described in the following pages by people under the influence of such consciousness-changing (or psychedelic) chemicals as LSD-25, psilocybin and mescaline. Questions are therefore raised as to whether these chemicals are properly called "hallucinogens," whether their effects should be considered "religious" or "spiritual," or whether they simply inhibit a perceptual grid or screening imposed by cultural and social indoctrination, or brainwashing. In the latter event, their overall effect would be to clarify rather than confuse perception. However, so radical a shift in one's way of seeing things might, through its unfamiliarity, be confusing or even frightening to some people.

From my own experiments with these chemicals, and from others' descriptions, it has struck me that a dominant feature of the psychedelic consciousness is a polar form of thinking and perceiving. The usual gestalt mode of perception, where the figure is noticed and the ground ignored, seems to be modified. one sees instead the figure-ground as a totality. In the same way, it appears that things inside the skin and things outside "go together" as aspects of one process: a push from the inside is a pull from the outside, and vice versa.

Conceptually, it appears obvious that such opposite categories as being and non-being, light and darkness, good and bad, solid and space are related mutually in the same way as front and back. This may come as a shock to the kinesthetic sense, a threat to one's identity, and a disturbance to standards and habits of judgment. The individual unused to this situation may interpret it onesidedly: he may feel utterly helpless, wondering whether he can continue to think logically or even speak correctly, or conversely, he may imagine that he is God almighty, in charge of the whole universe.

Thus I feel it unwise for anyone to ingest these chemicals without first having some clear theoretical understanding of this polar, or transactional, relationship between organism and environment, perceiver and perceived. I might add that, for lack of such ecological understanding, the natural mystical experience may be as confusing as any chemically induced change. One knows of many so-called mystics who make the most fantastic claims to divine power and knowledge, and those who conceive the Godhead as a personal and literally omniscient and omnipotent being are especially prone to such delusions when under psychedelic influences, whether natural or chemical.

On the other hand, modern man could very well benefit from a clearer perception of his physical situation, and continuing experimentation with psychedelic chemicals may produce ways of achieving it without undesirable side effects. At a time when technological power is bringing about vast changes in our natural environment, some of which lead to the fouling of our own nest and reckless waste of resources, it is quite urgent that we learn to perceive ourselves as integral features of nature, and not as frightened strangers in a hostile, indifferent or alien universe. This book is a big step in exploring one approach to this fundamental and vital problem.


Introduction by Ralph Metzner

THE ORIGINS OF man's use of visionary, mind-changing plants and preparations is lost in the obscurities of prerecorded history. Perhaps some Neolithic shaman, sampling new specimens for his herbal pharmacopeia, stumbled across and ingested an innocuous-looking weed; in a short time, he found himself in the company of the tribal ancestors, spirits of water, thunder, rock and earth, trembling with stark awe and terror at the mysterious energies flashing through his eyes and ears, marveling at the intricacies of the relationships between man and animal, man and man, struggling with the subtle entrapments of his own fantastic concepts and visions.

The ubiquity of the shamanistic use of psychedelics has been amply documented by Richard E. Schultes, R. Gordon Wasson, Michael Harner and others. In the Amazonian jungles today, the tribe's shaman still takes his young apprentice out into the forest and lets him drink the brew of the yagé vine, day after day, perhaps for forty days or however long it takes for him to confront and explore the numerous heavens and hells of his own inner being, systematically reviewing the genetic and personal memories, the states of consciousness which puzzle and confuse his fellow tribesmen.

This plant does not cure the infections of the physical body, but for relief of the strange, intractable sufferings of the psyche induced in sensitive souls by the seething cruelty of jungle life, the shaman's visionary brew may provide the beginnings of insight and interchange between the waking ego and the inhabitants of inner, mythic dimensions, totems, animal spirits, gods and devils—a dialogue which modern man has relegated to the "unconscious" realm of dreams and fantasy at the cost of his psychic well-being.

Joseph Campbell has charted the monomyth or archetype of the hero-path in all ages: everywhere it is the same. The hero leaves the tribe to search for the Elixir, the Golden Fleece, the Holy Grail, the Ring—the essence of immortality that will enable him to transcend mortal life. He traverses deserts, mountains, fights monsters or demons, encounters the wise guide, rescues the princess (the anima, the soul) from the imprisonment of the dragon (conscience), finds the immortal seed and returns to pass on the message. With variations this pattern is found everywhere: it is the trip beyond the mind, that collection of fragmentary perception and half-baked concepts we call the normal world, to liberation and re-entry.

In the great Mystery Religions of Egypt, Babylonia and Greece, a psychedelic potion was probably used to confer on the initiate the direct, immediate experience of death and rebirth, the separation of the individual self from physical identity with the planetary body, the merging into the common, all-pervasive nuclear web of energy, followed by the slow and agonizing return to everyday existence in a physical incarnation. This was the esoteric, firsthand confrontation with the Mystery in one's own inner being; the exoteric, secondhand knowledge was made possible through mythic rites, dramatic light-sound presentations, the symbolic re-enactment of stories of Isis and Osiris, Demeter and Persephone.

Even those unprepared or unwilling to undergo the core experience could thus get some inkling of its meaning and import. Perhaps it was in the caves at Eleusis, in cool subterranean chambers to which initiates were brought for the final rite, that Plato conceived and experienced his image of the chained prisoners watching the flickering shadows on the wall of the cave; until one of the slaves of illusion gets out and is blinded by the fierce radiance of the interior sun. Through the Greek Mysteries, men became gods and celebrated their divinity in the ecstatic light-space geometries of the great temples and the jewelled agonies of heroic dramas.

When the nomadic Aryans invaded India five thousand to ten thousand years before Christ, they brought with them from Central Asia the cult of the sacred Soma plant. The legend says that it grows a petal every day until the full moon and then loses one every day until the new moon—imagery suggestive of magic and the "dark moon power" of woman. The learned Brahmins worshipped it and sung its praises in the Rig Veda: "I have drunk of the Soma and now half of me is on earth, the other half in the heavens." Aldous Huxley has suggested that the effects of Soma might have been like a mixture of mescaline, hashish and reserpine—high, smooth and serene. The Soma cult died out, either because the plant became impossible to obtain in India or because (as Gary Snyder suggested) as the tribes passed from food-gathering to agriculture they lost contact with natural herbs and plants. Hashish and ganja became and still are the preferred psychedelics of religious adepts following the chemical yoga in India.

The rhythmic physiological calisthenics of Hatha Yoga counteract the passivity tendencies of this drug. It is taken according to elaborate rituals with postures, mudras and mantras; or in the solitude of the Himalayan cave, tuned in to the ringing energies of rock and ice; or as I saw it, in the ghats of the cities, the holy burning-grounds where Hindu dropouts spend months and years contemplating the destruction of the physical frame of man by fire, worshipping in their hearts the Great Lord Siva, the Destroyer and Transformer of Universe, the Master of Yogis, whose arms and legs annihilate in relentless dancing movement all perishable things, and whose quiet smile and radiant eyes draw you to the center, the source, the common origin, where Destroyer, Creator and Preserver are one with each other and one with Kali, the Mother, the Supreme Female Principle, the Womb of Space, the Eternal Primal Sound, the Ommmmmmmmmm.


Ganja is a mild psychedelic, not normally capable of producing the ecstatic death-and-rebirth experience. The more powerful substances known to earlier civilizations, the Soma of the Vedic Hindus, the sacred mint of the Greek Mysteries, the divine mushroom of the Aztecs, disappeared from public view and, so far as recorded history is concerned, ceased to exist. But the "psychedelic movement" continued underground. Small groups of devotees, adepts and magicians kept the flame alive. In Tibet, protected from outside interference by the rock wall of the Himalayas, energetic Buddhists set up a whole social structure centered on the cultivation of enlightenment and higher consciousness, systematically applying Buddhist principles to the development of a superconscious elite of consciously dying, consciously incarnating lamas.

The old lama locks himself in a cave with his disciple and they practice sending and receiving until the signals come through. The mind has to be completely clear. Decades of systematic meditation are involved, and selective use of long-acting "samadhi medicines." The Tibetan Book of the Dead is the most advanced psychology book ever written: its detailed descriptions of the step-by-step process of dying and being reborn can be verified by any LSD user. The altitude in Tibet and its distance from man-made vibrations may help account for the extraordinarily high development of its lately unfortunate people.

In Europe, the persecutions of the established church drove the gnostic God-seekers, Hermetists, Freemasons, Rosicrucians, Kabalists and other explorers of consciousness underground. The alchemists veiled the results of their experiments in the realm of psychedelic method by using a sealed language, a code known only to other members of the sect. Under the pretext of the quest for material gold they were developing the necessary psychedelic catalysts for the "transformation of coarse matter into fine," the transformation of material consciousness into "spiritual gold." Their work was hidden, yet their influence is concretized in the vibrating space harmonies and dazzling colors of the Gothic cathedrals, built most likely by anonymous groups of Freemasons.

In Mexico, the vicious persecutions of the Spanish Catholic Church eliminated the proud and cruel magic of the Aztecs, leaving only a small handful of remote mountain tribes cherishing their mushrooms, morning glories and cactuses. Simple powerful rituals of taking the sacred plants in an atmosphere of reverence and harmony with nature were handed down through generations of curanderos. From these "primitive" Mexican hill tribes, through the mediation of the ethnomycologist Robert Gordon Wasson, the psychedelic movement, the chemical visionary quest, resurfaced in the middle of the prime energy hub of the Western world in the mid-twentieth century and almost immediately became one of the dominant mythic phenomena of our time.

Not, however, without a couple of false starts, one in the psychiatric, one in the military establishment. Given the universal tendency of the human mind to interpret the new in terms of the old, and the deliberately inculcated conservatism of the psychiatric-medical mind, brainwashed through many years of arduous academic training to perceive any change in functioning as pathological, particularly changes in the functioning of consciousness for which no precedent exists in Western academic literature, it is not difficult to understand the initial anxious explorations of LSD by psychiatrists and their subsequent irrational fear at the use of LSD by non-medical human beings. Psychiatrists in the United States are generally not happy: recent studies show that their suicide rates are four times as high as the national average for comparable age groups. Their approach to the unusual experiences induced by LSD is marked by fear and negative thinking. The dissolution of ego boundaries, prized by mystics as a step toward unitive perception, is labeled "psychotic disintegration."

Here is an imaginary, but typical, experiment from the early days of "psychotomimetic" research: an advertisement appears on the medical school bulletin board for subjects to participate in an experiment for $20 a day. The eager medical student arrives early in the morning in the psychiatric research lab of the hospital, is interviewed, given some physiological and psychological tests, and then handed a small pill and a glass of juice and left alone. At half-hourly intervals a team of doctors, nurses and psychologists give tests, ask questions, observe pupil size, pulse rate, etc., and confer with each other about the "subject."

They are normal, you are mad. Mad because the walls of the room are starting to writhe, objects are swimming in pools of light, colors are becoming sullenly vibrant. What are these uncontrollable tremors in the extremities, why is everything suddenly so overbearingly intense? The furniture is gesticulating menacingly, a strange slippage of reality seems to be occurring, bizarre complexes of sensation are closing in from all sides. The next time the doctor appears his face seems abnormally red and the ears look pointed, and what is that strange odor of sulphur?

Some of the "subjects" undergoing this experiment would fortunately be able to flip their consciousness to the level of detached humorous observation, laughing at the incongruity of the situation, and perhaps begin to explore LSD on their own. Others, probably the majority, would get terrified at the dissolution of reality, cling grimly to rational control by adopting a paranoid stance ("I am being victimized by crazy scientists," I am being poisoned," "This is a conspiracy to drive me insane"), and as the effects wore off or were terminated by a tranquilizer, dismiss the whole experience as crass delusion and nightmare. The psychiatrist goes home and writes his research report on the psychotomimetic properties of LSD.

The other false start, the military exploitation of LSD, resulted from the reflex attitude of the military establishment to any new technology—to see what possibilities the new energy form has for killing, maiming or otherwise incapacitating "enemy populations." Buckminster Fuller has estimated that it usually takes about twenty years for a new invention to seep through into civilian applications after the military have had their secret games with it. The Army made the first LSD film in the early fifties.

It shows an unsuspecting soldier, who had been given LSD in his morning orange juice without his knowledge, with a bewildered look on his face as he attempts to reconstruct his familiar personality sufficiently to answer the routine questions of the officer-experimenter. However, the unpredictability of LSD reactions apparently led to a diminution of military interest in this type of chemical warfare.

Those psychiatrists and psychotherapists who had taken the obvious preliminary step of trying the new chemical themselves soon began to pursue different objectives from their psychosis-oriented colleagues. Could not the multi-level perception of LSD, the ability to see what you see and to see yourself seeing at the same time, be used in a therapeutic context? People reported "insights" and breakthroughs in emotional blockages. Could the alcoholic cut through the vicious cycle of self-pity and self-destruction, the neurotic come to terms with his crippling anxieties, the convict grow beyond the monotonous seesaw of crime and punishment, the dying cancer patient forget his miseries for a few hours and contemplate the inevitable ending he so much feared?

Papers reporting rapid positive personality change with LSD began to proliferate in the scientific literature. It seemed as if the judicious use of psychedelic drugs might overcome the basic limitation of psychoanalytic and related methods of personality change: the limitation that no matter how subtle and accurate the analysis of the "complex," a merely mental-verbal-cognitive insight is not enough; even Freud himself despaired that the energy available in the therapeutic situation was not sufficient to overcome the massive negatively charged energies locked up in the original complex. You could not get out of the mind by using only the mind. Some external reinforcement or catalyst was necessary. LSD is such a catalyst.

In the meantime, adventurous painters and musicians discovered that LSD was also a catalyst of a different sort, an impetus to startling new rearrangements of vision, to a bubbling, ecstatic, seemingly inexhaustible pool of images and ideas, to a new-old kind of harmony between the artist and his medium. A lively boost to this kind of paramedical use was the publication of Huxley's books Doors of Perception and Heaven and Hell; his enormous erudition and lucid explanations put the whole business of taking a drug to change your consciousness on a totally new level. Artists now sought the experience as a means of expanding their vision.

In 1965 an artist friend of mine is sitting in his studio in New York's lower East Side. He smokes a couple of lungfuls of mint soaked in DMT and looks at the face of a man sitting across the table. The man's face starts to change almost immediately; it separates out into four or five planes of light intersecting at various angles in a constant rhythmic pulsation, with tendril-like multicolored organic flakes breathing through the skin and over the whole an incredibly fine mesh of perfectly organized moirépatterned lines of light which extend out from the head into the air, shimmering, sparkling and quietly humming. In a few minutes the colors begin to fade, the movement slows down, the painter feels as if a holy moment is occurring and swiftly copies the vision down on paper.

In the early sixties several major research projects began systematically exploring the effects of LSD and psilocybin on "normals," i.e. non-therapy patients. At Harvard, Timothy Leary, awed by the radiance of his first trip out of the mind with the Mexican divine mushroom, and his colleague Richard Alpert began giving psilocybin to graduate students, professors and laymen without imposing either a medical-therapeutic or a psychological-experimental model on the situation.

The purpose: to see if a "natural,". unforced way of ritualizing psychedelic experiences would develop. Although medical and psychiatric screening was performed while the project was at Harvard, it attracted the animosity of faculty colleagues and local psychiatrists. A prisoner rehabilitation project was also initiated: "Let's go to Concord and give the convicts mushrooms and make them into Buddhas."


I was a third-year graduate student in clinical psychology at the time, and the thing that most aroused my interest was the tone and contents of what my classmates who had taken the drug were saying. They talked to each other in stunned, excited voices about love, sharing, identity, unity, death, ecstasy-topics not generally discussed by psychology students except with cynical flippancy or heavy academic seriousness—but certainly never from experienced confrontation, as was happening now. Timothy Leary's enthusiasm was the more impressive, since the year before, in premushroom days, he was one of the very few members of the faculty who communicated a sense of integrity and conscience toward the subject matter of psychology and toward people. He was looking for ways to break out of the traditional professional modes, and refused to regard people as objects of experimentation or clusters of symptoms.

He had quit his job as research director of a large psychotherapy factory, the Kaiser Foundation, when his own research indicated that therapy did no better by people than the mere passage of time, combined with the instinctual regenerative programs of the human nervous system. He had dropped out and was ready to turn on. I saw American psychology as a cynically professionalized pseudo-science, and was ready to turn on too. So were most of the graduate students. Almost all tried the experience at least once. About half stopped when they realized that their "careers" would be negatively affected by further ingestion of the mushrooms.

A small handful continued to work on the project after it left Harvard and became the improbably titled International Federation for Internal Freedom—an organization whose avowed purpose was to turn on the country by supplying groups of mature adults with psychedelic chemicals and helping them to set up a research project whose results would be acceptable to the academic-psychological-religious community. A check for $10,000 was actually mailed to the Sandoz Co. in Switzerland for a million doses of LSD. But social reprisals crashed about IFIF's bead before the transaction was completed, and the whole project moved to Zihuatanejo, Mexico, probably one of the world's most beautiful places, where a group of about twenty students and teachers spent four weeks intensively turning on and tuning in to the tropical energies of ocean, sand, sun and stars.

On the West Coast, a group of mind explorers centered in Menlo Park pursued an alternate approach to the utilization of psychedelics. A medical clinic for guided self-therapy was established, called International Foundation for Advanced Study, in which the attempt was made to work within the traditional medical-psychiatric framework while pursuing the positive, i.e. psychedelic-transcendent goal in the experience. Clients were charged fees commensurate with the amount of time spent by professional doctors or nurses.

Preparation included psychological tests, interviews, autobiographies and one or more "trips" with carbogen (30 per cent carbon dioxide, 70 per cent oxygen), which produces a very brief ecstatic state, but requires the same basic inner gesture of self-surrender as LSD. (Making this gesture is the key to a "successful," i.e. liberating, voyage with LSD; without it the experience can turn into a prolonged struggle with unaccepted sense energies.) Timothy Leary was at first on the board of trustees of this foundation, but they later disagreed with his espousal of the non-medical use of LSD. (We are merely noting some of the controversial points of view which have divided psychedelic mind explorers from the establishment and from each other—this is not the place to discuss or evaluate these controversies.)

The Menlo Park group pursued a strategy of extending the boundaries of the medical-therapeutic model: individual sessions were run for patients, but also for normal persons who wanted to experience transcendence. Later, groundbreaking studies in the enhancement of creativity were done by this group, using professional architects and engineers as subjects. The Harvard group had left the medical-academic game altogether and was concentrating on the religious applications. A major study on the experimental production of religious experiences with psilocybin was done at Harvard by Walter Pahnke. This was the group's last "experiment" in the traditional sense. After that the primary effort went into the development of training methods for self-exploration with LSD.

These two organizations represented a transitional stage, when it was still believed that the psychedelic experience could be integrated into American life by modifying the traditional medical-psychological methods somewhat. Neither of these institutions survived the prohibition of mind-changing chemicals, which began with the imposition of increasingly stringent requirements for obtaining LSD for research investigations in 1963, and was formalized on the federal level by the Drug Abuse Control Amendments of July 15, 1965. This law made sale and manufacture of LSD illegal, but not possession for one's own use. Many states have since that time enacted more stringent rules, in some cases going so far as to declare LSD a narcotic and making possession of it a felony.

One of the criteria proposed by the FDA for determining whether a drug has "potential for abuse" and should therefore be placed under the DACA is if "individuals are taking the drug on their initiative rather than on the basis of medical advice from a practitioner licensed by law to administer such drugs." In other words, self-administration is being equated with abuse. It is unfortunate that federal and state legislatures have felt constrained to rush into law prohibitions which, based as they are on ignorance of the nature of the psychedelic drugs and on fear fostered by psychiatrists and newspapers, do nothing to solve the problem of real abuse, which can be countered only by information and training, and only serve to create a situation of great aggravation for hundreds of thousands of people, predominantly young, intelligent and from middle-class homes, who are expanding their consciousness and hurting no one.

At the mid-sixties we have the following situation: legitimate research on humans with psychedelics has dwindled to a small handful of studies, mostly on alcoholism, repeating work done a decade before in Canada. Possession and use of LSD is completely illegal in most states, carrying felony penalties in some. A nationwide average of between 10-20 per cent of college students have taken LSD; in some colleges the figures run as high as 40-50 per cent. An inestimable number of citizens from all walks of life—certainly in the hundreds of thousands, probably over a million, possibly several million—have taken one or more trips, and the number is increasing at an accelerating tempo. Only a very small number of people are apparently aware of the profundity of the social change that is occurring.

In the early sixties, when the work of the Harvard group was just beginning, small communities of LSD users were starting to operate, particularly on the West Coast. Some of these centered around psychiatrists who had started using LSD in therapy and then became more interested in the psychedelic-transcendent experiences. At that time, it was still fairly easy to obtain relatively large quantities of the drug from Sandoz. Such groups of paramedical mind explorers flourished more in California than elsewhere. Perhaps this is related to Marshall McLuhan's observation that California never had a nineteenth century—it jumped straight into the twentieth century electronic world, while the ivy League, European-influenced East is still trying to disengage itself from nineteenth-century typographical puritanism.

Whatever the reason, psychedelic cults flourished in California and, when the legal situation became more difficult, spread south into Mexico. Some of the ecstasy cults moved to country estates, and in discreet privacy attempted to reconstitute the natural, happy life—lusty, dignified and productive. Others, the younger ones, populated the dance clubs and discotheques of Sunset Boulevard and now Haight-Ashbury, seeking release from self in the pounding electronic sonorities of rock-and-roll groups, and communion of shared ecstasy in bright capricious costumes and liquid, rubbery dances, Behind all these visible phenomena lie the unseen—the "acid trip," the group of friends in a small apartment sharing the disintegration and reconstitution of reality. The center of such activities has become San Francisco, where at the time of writing (April 1967), informed estimates are that one-fifth of the city has taken LSD. One-fifth of a major American city tuned in to experiences and values on sensory and spiritual levels which are diametrically opposite to the materialist power orientation of the American mainstream.

We were invited to a party on a ranch about an hour's drive outside of San Francisco. The ranch had been rented for the summer by a rock-and-roll group with a mystical name, whose chief backer was a major manufacturer of high-quality blackmarket LSD. The group had their powerful electronic instruments, bought with the proceeds of drug sales, on the lawn and were sending pulsing, vibrant drones reverberating through the surrounding hills. Like almost all the major rock-and-roll groups in the country, this group has taken LSD often and occasionally perform under doses as high as 250 or 300 gamma. In such states the sounds tend to become more detached and eerie, less tied to the structure of songs.

About 300 people are scattered around the lawn. By the end of the afternoon there are about 700—they arrive in jeeps, trucks, exuberantly colored buses and cars, in family groups of ten or more, with children, animals, wearing improbable costumes, flowers, beads, headdresses, waving banners, laughing and jumping. About half the people are naked but there is no pressure to remove clothes; everything is remarkably unforced—strange sight to see the bobbing genitals and breasts of naked dancers, and others sitting or lying peacefully immobile, entranced, gazing with wide-eyed ecstasy at these Dionysian revels. In the house LSD is being passed out, only to those known personally to the source. Although an occasional couple may wander off into the woods or the house, this is no orgy, but a family-tribal celebration; a deep feeling of joy pervades the gathering, a kind of luxuriant affection for everything living.

Lately, such gatherings are taking place on another scale. Tens of thousands of persons assembling in Golden Gate Park, or Central Park, New York, to be, to love, to celebrate, not to protest, but to manifest joy. No one who attends such a gathering can fail to be affected by the energy and vitality being released here. It is as if some very ancient human needs and longings are being articulated and expressed for the first time in aeons, instinctual resonances are set up even in those who have never taken LSD, long-buried impulses and long-stifled hopes are finding a new freedom.


No one can say for sure what the nature of the social changes that are happening will turn out to be. There is radical experimentation going on with utopian ventures and new approaches to economic exchange, such as The Diggers' non-monetary resourced distribution projects. The utopianism of the psychedelic generation is based not on philosophy, but on necessity stemming from disengagement I rom the Great American Accounting System.

It is a very hard-headed utopianism, which draws on the wisdom of the native inhabitants of this continent, the Indians, for information on the harmonious, non-destructive utilization of the land's resources. "Peyote and LSD," said Gary Snyder, "are the Indians' revenge on the white man." They affirm precisely those values cultivated by the Indians over many centuries and blindly overlooked and ignored by the white men in their reckless exploitation of the physical energy resources of this now much polluted, much eroded land.

It is important to realize that America is now going through a "trip"—that is, the general culture is responding to the psychedelic phenomenon with all the same reactions that one can observe in the individual who takes LSD: the bewilderment at sudden change, the incessant attempt to explain, to rationalize, the delight and astonishment at aesthetic, sensory beauty, the growth of tolerance and the growth of fear, the springing up of love and the intensification of pain and confusion, the exuberant sharing of happiness and the aggravation of isolation, the multiplication of new artistic communications and the growing gap of understanding between old and young.

America's "trip" is not a particularly happy one; the murder of a well-liked president and the continuing racial suicide of an insane war against sixfold more populous Asia are the outer manifestations of a deep spiritual trouble. But there are hopeful elements also, and it may well be, as a writer in Look magazine put it, "that these people will end by turning all the rest of us on, releasing energies that we have become too cynical or too embarrassed to use."

We see on the part of young people directly or indirectly involved with the psychedelic scene an affirmation of positives, not an "escape from reality," or a refusal to face the facts of our grim situation. It is precisely those youngsters who have lived all their lives under the cipher of universal destruction—they and not their elders—who will look the prospect of the end of man straight in the eye and then go on. And to go on means to embrace everything, to accept the negatives as well as the positives, to realize these two polarities are inseparable at all levels, and to glorify in acts of beautification and service the divine spark in man.

Which is not to deny the existence of problematic tendencies within the psychedelic movement. The vision of the supreme illusory nature of life's play and of the deceitful artificiality of man's games can induce in some unprepared minds a kind of lethargic indifference, a moral and intellectual apathy. The shocking advice—"drop out"—is erroneously taken by some to mean "don't work." LSD is a too], not a method. One has to learn to use it with discrimination. "Seeing" something under LSD is no guarantee of its conceptual or moral validity.

As Timothy Leary emphasized repeatedly, every man has to become his own Moses, his own Galileo. He has to evolve his own moral code, he has to grasp the essential nature of his universe. Nothing can be taken for granted anymore. None of the old social or intellectual structures will stand. We have to start all over again from scratch. We have to ask ourselves the basic questions: What is life? Where are we at? What are we doing with each other on this (now) small planet? The real evolutionary challenge posed by the existence of chemicals such as LSD is whether man can finally learn to become a wholly responsible human being.


This is the ecstatic adventure.

TRUE SANITY ENTAILS in one way or another the dissolution of the normal ego, that false self competently adjusted to our alienated social reality; the emergence of the "inner" archetypal mediators of divine power, and through this death a rebirth, and the re-establishment of a new kind of ego-functioning, the ego now being the servant of the divine, no longer its betrayer.

~ RONALD D. LAING

FURTHERMORE, we have not even to risk the adventure alone; for the heroes of all time have gone before us; the labyrinth is thoroughly known; we have only to follow the thread of the hero-path. And where we had thought to find an abomination, we shall find a god; where we had thought to slay another, we shall slay ourselves; where we had thought to travel outward, we shall come to the center of our own existence; where we had thought to be alone, we shall be with all the world.

~ JOSEPH CAMPBELL


INTERVIEWER: "Are you afraid of drugs?"

SEVENTEEN-YEAR-OLD GIRL: "No, I'm not afraid of drugs. I'm more scared of everything else that's going on in the world."


Source : Psychedelic Library


Related Articles :


 

Copyright © 2011 Crop Circle Season. All Rights reserved
RSS Feed. This blog is proudly powered by Blogger. Design by dzignine based on Minima-White code frameworks